A Pair of Lovers, by Van Gogh
Love is the only sane and satisfactory answer to the problem of human existence.
Eric Fromm
Love is the only sane and satisfactory answer to the problem of human existence.
Eric Fromm
This posting has its genesis in a fine poem—To Have Without Holding—by poet and novelist Marge Piercy. Since reading the poem a few days ago, I have continued to be haunted by the first line: "Learning to love differently is hard."
From my perspective, this poem touches upon something profound, specifically, the way that life experiences shape our evolving approaches to love. One of the charming conceits of youth is the romantic ideal that each of us will eventually meet someone and "fall" effortlessly into a state of perennial bliss—a sort of nirvana in which the relationship is protected from the vicissitudes of life. Romantic ideals, however, always have a way of colliding with reality, and when that occurs, we usually have only two choices. We can either become disappointed and cynical, or we can begin to reevaluate and reshape our romantic ideals. We can, as Piercy suggests in the first line of her poem, learn to "love differently." We can even learn to "love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms . . ." And if we do, if we are willing to give up the clutch-hold on our youthful romantic ideals, we may come to find the very thing we have been looking for all along, a deep love that is rich and enduring, one that is more than adequate to withstand the conflicts, disappointments, and frustrations that await every journey.
Enough of what I think. What do you think? Perhaps you will find something in Piercy's poem that resonates with your own life.
TO HAVE WITHOUT HOLDING
by Marge Piercy
Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.
It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.
It hurts to thwart the reflexes
of grab, of clutch; to love and let
go again and again. It pesters to remember
the lover who is not in the bed,
to hold back what is owed to the work
that gutters like a candle in a cave
without air, to love consciously,
conscientiously, concretely, constructively.
I can't do it, you say it's killing
me, but you thrive, you glow
on the street like a neon raspberry,
you float and sail, a helium balloon
bright bachelor's button blue and bobbing
on the cold and hot winds of our breath,
as we make and unmake in passionate
diastole and systole the rhythm
of our unbound bonding, to have
and not to hold, to love
with minimized malice, hunger
with minimized malice, hunger
and anger moment by moment balanced.
Lest there be any doubt, I do not stand pure in this arena. Quixotically, I have broken many lances in the windmills of youthful romantic ideals. With every passing year, however, I have tried to reshape those ideals to account for the unpredictability of human life—my life and the lives of others—and while much work remains to be done, I feel, perhaps for the first time in many decades, that I am learning "to love and let go again and again." I am learning to love differently.
Lest there be any doubt, I do not stand pure in this arena. Quixotically, I have broken many lances in the windmills of youthful romantic ideals. With every passing year, however, I have tried to reshape those ideals to account for the unpredictability of human life—my life and the lives of others—and while much work remains to be done, I feel, perhaps for the first time in many decades, that I am learning "to love and let go again and again." I am learning to love differently.